This week I want to continue my series on Gothic vocabulary. You may remember back in November, I wrote about another vocab term—the sublime—which was central to the Romantic era’s conception of the Gothic. This time I want to discuss a twentieth-century term that to this day still crops up frequently in any discussion of the Gothic or of horror more broadly: the uncanny.
A music teacher who moonlights as a sneak thief and a penniless gentleman with a knack for uncovering secrets—what could possibly go wrong? The Gentleman and the Thief by Sarah M. Eden is the sequel to The Lady and the Highwayman, one of my favorite books from 2019. I’ve been keeping this cozy historical romance at the ready to serve as a comfort read during this dark and dreary winter, and I’m so glad I did. This book had everything I’ve come to expect from the Dread Penny Society series: an abundance of mystery, a sweet courtship between two lovable protagonists, and a clever interplay with the uniquely Victorian literary phenomenon of the penny dreadful. If you need to keep the love going post–Valentine’s Day, I can’t recommend this series enough! Continue reading The Gentleman and the Thief Review
Usually, when discussing tropes in Gothic literature, I talk about certain recurring themes and plot elements (such as madness, prophecies, or burning houses) or character types (like the Creepy Housekeeper, Corrupted Clergy, or First Wife). But the genre also makes use of particular structural or stylistic techniques. One of my favorite stylistic tropes in Gothic literature is the found document framing device.
Continue reading Gothic Tropes: Found Document Framing Device
The Haunting of Hill House by Shirley Jackson has been adapted many times. It has become, in popular culture, the quintessential haunted house story, although Shirley Jackson’s novel leaves the veracity of the haunting intentionally ambiguous. One thing many adaptations struggle with is how to maintain that ambiguity while still evoking horror. The recent Netflix series, directed by Mike Flanagan, accomplishes this balance by diverging from the source material significantly while preserving its central themes. This series arrived on Netflix in 2018, so I’m a little late to the bandwagon. But I finally finished watching it and wanted to share a few of my thoughts with you. Continue reading Review of Netflix’s The Haunting of Hill House
