Complete isolation within your padded cell walls. The screams and unintelligible ramblings of your fellow inmates. The torturous “treatments” that are more terrifying than the monsters in your own mind. What could make a better setting for horror than the madhouse? As popular as lunatic asylums still are in modern horror, this setting has its roots deep in Gothic literature—going back further than you might think. Indeed, like so many of the other recurring Gothic settings, these institutions lend themselves particularly well to Gothic tropes. Isolation and imprisonment are at the core of the asylum’s function. Any story set within its walls can use the spectacle of insanity as the engine of horror. And apart from madness itself, there are also the horrors of the cruel treatment, cramped spaces, and poor physical conditions that unfortunately characterize such institutions.
Month: March 2022
Within These Wicked Walls Review
What if Mr. Rochester had, not a wife, but a deadly curse. Within These Wicked Walls by Lauren Blackwood reimagines Charlotte Brontë’s classic novel within an Ethiopia-inspired fantasy setting. Last year I posted about the surprising number of Jane Eyre retellings that all came out in 2021. Obviously, I’ve got to go down the list and read them all! I’ve already posted reviews of The Wife in the Attic and John Eyre, so Within These Wicked Walls was up next. Continue reading Within These Wicked Walls Review
Gothic Vocab: Romance
You’ll often hear the term “Gothic romance” tossed about, sometimes in wildly different contexts. Are we talking about mid-century pulp novels whose covers feature women in flowing gowns fleeing from brooding men and looming castles? Or are we talking about The Castle of Otranto—a novel which hardly contains anything that modern readers would recognize as romance. To understand the many meanings of a phrase like “Gothic romance,” we have to dive into the history of what the words “romance” and “romantic” have meant in a literary context over the years.
Monkeys in Gothic Literature
When you think of spooky or scary creatures, monkeys are probably not the first animal that crosses your mind. Cats, rats, and bats. Even corvids and canines. These creatures more obviously fit the aesthetic of the Gothic, and you’ll commonly see them crawling through castles, darkening the skies, or lurking in graveyards in Gothic texts. But there were also many who found monkeys to be deeply unsettling—especially in the nineteenth and early twentieth centuries. It is both the strangeness and the familiarity of these creatures that makes them excellent vessels for horror. On the one hand, primates bear a significant resemblance to humans in both their physical features and the actions they are capable of—a similarity which would ultimately lead Darwin to his paradigm-shattering theory of evolution in the mid-nineteenth century. On the other hand, these creatures are still distinctly inhuman. And for many Western writers whose only encounters with other primates came from colonial excursions, monkeys were inevitably associated with the Evil, Exotic East. You’ll see all of these elements brought out in the examples listed below of some of my favorite monkeys in Gothic literature: