I’ve loved Daphne du Maurier ever since I read and reviewed her most famous novel, Rebecca, during the first year of this blog. Since then, I’ve read a few of her other works, including Jamaica Inn and the short story “The Birds.” But none of her other works have had as powerful an impact as I felt while reading Rebecca. Nothing, that is, until I saw the 2017 film adaptation of My Cousin Rachel starring Rachel Weisz and Sam Claflin. Ever since seeing it in theaters, I’ve been meaning to go back and read du Maurier’s novel of the same name. I finally had the opportunity, thanks to starting a new book club focused on books that have been famously adapted. And now having read it, I can say that My Cousin Rachel is joining Rebecca as one of my favorite Gothic novels of the twentieth century. Continue reading My Cousin Rachel Review—More Daphne du Maurier
Category: Gothic Classics
Classics: Mistress of Mellyn
I talk a lot on this blog about the initial Gothic heyday at the turn of the nineteenth century, which sprung up after the publication of Horace Walpole’s The Castle of Otranto and brought us such authors as Ann Radcliffe, Matthew Lewis, and William Beckford. But these days when you mention the Gothic to someone not overly familiar with the genre, they may picture a more recent heyday: the boom of Gothic romance and suspense novels in the mid-twentieth century, many of them mass-produced by a handful of genre-focused publishers. These books are perhaps best remembered today for their evocatively illustrated covers that employed common visual tropes such as a fleeing woman in a diaphanous dress or nightgown, a looming manor castle in the background, and a single illuminated window peering out like an eye. The book most often credited with kicking off this boom is Mistress of Mellyn by Victoria Holt. Continue reading Classics: Mistress of Mellyn
Review of Powers of Darkness: The Lost Version of Dracula
The story in Bram Stoker’s Dracula (1987) has been told and retold many times, with innumerable adaptations and reimaginings. But what is perhaps the earliest of these only came to light recently: The 1901 Icelandic “translation” of Dracula is no translation at all, but a completely different story! It shares the basic premise and indeed many scenes with the monumental classic of the vampire genre, but Makt Myrkranna—as the Icelandic translation was called, which translates to “Powers of Darkness”—features brand new characters, unfamiliar scenes, and even an entirely different motivation and modus operandi for the infamous Count.
But is Makt Myrkranna an enterprising translator’s attempt to exert his own creative license over Stoker’s story, or is it merely based on an earlier draft of Dracula than the one that eventually made it to print? Literary scholar Hans Corneel de Roos puzzled over this question when he first discovered the unique nature of the Icelandic text in 2014. And now you can explore this question for yourself with the first ever English translation of the Icelandic version of Dracula, complete with scholarly annotations and other supplementary materials. Powers of Darkness: The Lost Version of Dracula, translated from the Icelandic and annotated by de Roos, came out in 2017. The publishers were actually kind enough to send me a copy back when it first came out, but—relatively new to blogging at the time and intimidated by the intensive scholarly approach and the sheer size of the hardcover—I put it on the back burner and never quite got around to reading it. (Apologies!) But now, as part of my resolution to read more of the books festering away on my shelves, I finally picked it up again—and I wish I hadn’t waited! Powers of Darkness is a truly interesting story both in its own right and in regard to its tangled history with Bram Stoker’s Dracula, and I would recommend it to hardcore Dracula scholars and casual Gothic literature enthusiasts alike. Continue reading Review of Powers of Darkness: The Lost Version of Dracula
Classics: The Private Memoirs and Confessions of a Justified Sinner
Though a bit more obscure than the classics I usually discuss here, The Private Memoirs and Confessions of a Justified Sinner (1824) by James Hogg is an iconic work of Scottish Gothic that mixes elements of religious and political satire with truly harrowing depictions of demonic forces. I recently read this novel as part of the Romancing the Gothic book club, and am much indebted to Dr. Sam Hirst for walking us through the theological and political context behind the story. Continue reading Classics: The Private Memoirs and Confessions of a Justified Sinner
Vampires: First Blood, Volume I Review
Dracula is the vampire lord who brought fame to the undead monster of legend, the one we’re all most familiar with. But the concept of vampires didn’t spring fully formed from Bram Stoker’s mind. Who were the literary vampires that came before Dracula and paved the path for him? Editor James Grant Goldin seeks to answer that question in his two-volume collection Vampires: First Blood, published back in July. The volumes are divided by gender, with the first volume focusing specifically on “The Vampire Lords.” This is the one I’ll be reviewing today. Continue reading Vampires: First Blood, Volume I Review
Plagues and Pandemics in Horror
The spread of COVID-19 is taking over our lives right now. And while I know for some of you, death and disease are the last things you want to read about right now, for many others literature is a place where we can process and confront our anxieties. This has been true throughout history. The Gothic, in particular, has always had a fascination with contagious illness. You can’t build an entire genre around nostalgia for the Middle Ages without grappling with the Black Death—a devastating plague that swept through Europe in the 1300s, killing millions. As Gothic literature developed, many authors—particularly in the Victorian era—had their own lives touched by such infectious diseases as tuberculosis, cholera, scarlet fever, and typhoid. The pandemics of the past and the present force us to confront our mortality and fears around infection and contagion. Some authors explore this through the invention of fictional plagues, while others use myth and monsters as metaphor for transmitting disease. Below are a few major works from Gothic and horror literature’s rich tradition of plagues and pandemics: Continue reading Plagues and Pandemics in Horror
Byron and Polidori’s Vampire Tale
Tall, dark, handsome, … and bloodthirsty. We’re all familiar with the image of the seductively suave vampire. Usually a wealthy aristocrat, he mingles with respectable society while secretly preying upon innocent young maidens in the dead of night. But how did this depiction come to dominate the popular imagination? It all comes back to Byron. Continue reading Byron and Polidori’s Vampire Tale
The Canterville Ghost—Oscar Wilde’s Gothic Parody
You probably know Oscar Wilde from his iconic Gothic novel The Picture of Dorian Gray (and its unfortunate role in his trial for homosexuality). He is also widely celebrated for his comedic plays, like The Importance of Being Earnest. But less well-known is a delightful little piece that combines Wilde’s Gothic sensibilities with his biting sense of humor: The Canterville Ghost (1887) is a short story that parodies common elements of the typical ghost story while also satirizing differences in attitude and behavior between Americans and the British. Continue reading The Canterville Ghost—Oscar Wilde’s Gothic Parody
We Have Always Lived in the Castle Review
As much as I love reviewing recent releases, it’s just as important to go back and spend some time on the classics. This month, I finally picked up a book that I’d been meaning to read for years: We Have Always Lived in the Castle by Shirley Jackson. Jackson is one of the most prominent authors of twentieth-century Gothic. Her novel The Haunting of Hill House is a staple of the haunted house and psychological horror genres, while her short story “The Lottery,” is one of the most terrifying things I remember reading for school. However, it is her final novel—We Have Always Lived in the Castle, published in 1962—that really explores the Gothic in depth. Continue reading We Have Always Lived in the Castle Review
French and German Gothic
I’ve spoken many times on this blog about how the Gothic genre originated in England with the publication of Horace Walpole’s The Castle of Otranto, and I’ve gone on to enumerate many other early English writers of the Gothic, as well as several American authors that followed later on. But the Gothic was not limited to the English-speaking world. In fact, many of the early and influential pieces of Gothic literature originated in Continental Europe—specifically in Germany and France. Below, I’ve listed a few seminal works to take a broad look at the Gothic tradition in these two countries: Continue reading French and German Gothic