You’ll often hear the term “Gothic romance” tossed about, sometimes in wildly different contexts. Are we talking about mid-century pulp novels whose covers feature women in flowing gowns fleeing from brooding men and looming castles? Or are we talking about The Castle of Otranto—a novel which hardly contains anything that modern readers would recognize as romance. To understand the many meanings of a phrase like “Gothic romance,” we have to dive into the history of what the words “romance” and “romantic” have meant in a literary context over the years.
