The girl detective is officially a nonagenarian. Well, her book series is anyway. Tomorrow, April 28, marks the 90-year anniversary of the publication of the first Nancy Drew book, The Secret of the Old Clock (1930) by Carolyn Keene. As a young child, I devoured my way through the library’s entire shelf of Nancy Drew mysteries, and I’m sure that the gloomy settings, air of suspense, and plucky heroine had long-lasting effects on my literary taste. So, I want to take today to celebrate the legacy of Nancy Drew.
Gothic Tropes: Corrupted Clergy
“Forgive me, Father, for I have sinned”—But what if the one who is supposed to absolve you is even more guilty? This is an idea explored in quite some depth and from a variety of angles throughout Gothic literature. The Gothic has had a very complicated relationship with religion, and Christianity in particular, from its earliest days. Sincere religious belief is often a virtue of the best Gothic heroes and heroines. But some of the genre’s most debased villains are those who wear the cloth of the Church. Early Gothic novels were highly critical of the horrors committed in the name of religion during the Spanish Inquisition, and these works also reflect Protestant and Anglican fears around Catholicism. But even the most obvious anti-Catholic caricatures were often a bit more nuanced, as many authors relied on the acceptable depiction of evil Catholic clergy to more subtly critique the overreach of religious authorities within their own communities. And no sect is safe! You’ll find dangers in any denomination in later works of Gothic literature. Let’s take a look at how corrupted clergymen (and a few women!) have crept through these novels.
Vampires: First Blood, Volume I Review
Dracula is the vampire lord who brought fame to the undead monster of legend, the one we’re all most familiar with. But the concept of vampires didn’t spring fully formed from Bram Stoker’s mind. Who were the literary vampires that came before Dracula and paved the path for him? Editor James Grant Goldin seeks to answer that question in his two-volume collection Vampires: First Blood, published back in July. The volumes are divided by gender, with the first volume focusing specifically on “The Vampire Lords.” This is the one I’ll be reviewing today. Continue reading Vampires: First Blood, Volume I Review
Netflix’s Dracula Miniseries Review
Do we really need another Dracula adaptation? I say, if it does something new and clever, then yes! And I think the new miniseries released earlier this year on Netflix and BBC One delivers on that. Dracula, created by Mark Gatiss and Steven Moffat, is a very loose retelling of Bram Stoker’s novel that takes the vampiric Count in a unique direction and explores his relationship with a new, original character: Agatha Van Helsing. If you’re looking for something quick to watch during quarantine, I definitely recommend it! Continue reading Netflix’s Dracula Miniseries Review
A Dangerous Observer Review–Escape into Gothic Suspense
Can I offer you a beautiful woman fleeing a castle in these trying times? From the cover of A Dangerous Observer alone, I knew this book was going to have everything I needed for a purely pleasurable escapist read. A Dangerous Observer is the latest Gothic Romance from one of my favorite authors, Amanda DeWees. (You may remember my reviews of her Gothic spin on Hamlet, Sea of Secrets, and her Daphne du Maurier Award–winning novel, With This Curse.) A Dangerous Observer came out just last month, so now is the perfect time to grab this fresh new read. Continue reading A Dangerous Observer Review–Escape into Gothic Suspense
Plagues and Pandemics in Horror
The spread of COVID-19 is taking over our lives right now. And while I know for some of you, death and disease are the last things you want to read about right now, for many others literature is a place where we can process and confront our anxieties. This has been true throughout history. The Gothic, in particular, has always had a fascination with contagious illness. You can’t build an entire genre around nostalgia for the Middle Ages without grappling with the Black Death—a devastating plague that swept through Europe in the 1300s, killing millions. As Gothic literature developed, many authors—particularly in the Victorian era—had their own lives touched by such infectious diseases as tuberculosis, cholera, scarlet fever, and typhoid. The pandemics of the past and the present force us to confront our mortality and fears around infection and contagion. Some authors explore this through the invention of fictional plagues, while others use myth and monsters as metaphor for transmitting disease. Below are a few major works from Gothic and horror literature’s rich tradition of plagues and pandemics: Continue reading Plagues and Pandemics in Horror
Byron and Polidori’s Vampire Tale
Tall, dark, handsome, … and bloodthirsty. We’re all familiar with the image of the seductively suave vampire. Usually a wealthy aristocrat, he mingles with respectable society while secretly preying upon innocent young maidens in the dead of night. But how did this depiction come to dominate the popular imagination? It all comes back to Byron. Continue reading Byron and Polidori’s Vampire Tale
Queen of the Conquered Review
How do you know if you’re the hero or the villain of your story? Sigourney Rose certainly sees herself as the hero in Kacen Callender’s adult fantasy debut Queen of the Conquered, but by the end of the novel we’re not quite so sure. Remember this book? It was one of the ones I highlighted back in October in my Slytherin Season post about books with snaky covers and resourceful, ambitious protagonists. Well, Queen of the Conquered certainly delivered on that front. Continue reading Queen of the Conquered Review
Classic Stage Company’s Dracula—A Feminist Adaptation
I love a good stage adaptation of Bram Stoker’s classic vampire novel, Dracula. After all, Stoker worked in theater for much of his life, and always intended for his charismatic Count to take the stage. Last weekend, I had the pleasure of seeing a particularly unique performance of Dracula adapted by Kate Hamill for the Classic Stage Company in New York City. Hamill makes significant revisions to the source material in order to transform Dracula into a feminist revenge fantasy by centering the female characters and confronting the sexism in Stoker’s original.
Continue reading Classic Stage Company’s Dracula—A Feminist Adaptation
Gothic Tropes: The Mad Scientist
A lab coat, wild hair, thick glasses, and a savage glint in their eye as they watch their ill-considered experiment come to fruition—the mad scientist is a particularly recognizable trope in media and pop culture today. Mad scientists are mainly associated with science fiction and are also popular as stock villains in superhero comics, but what many don’t know is that this character trope has its roots in the Gothic. In fact, the villainization of science makes sense when you consider that the Gothic genre emerged as a reaction against the Enlightenment. While proponents of rationalism encouraged the pursuit of pure reason, many authors of the Gothic feared what such intellectualism might become when divorced from ethics and emotion. The character of the mad scientist is the embodiment of such anxieties, as we can see in several prominent works of Gothic literature.
