Anne Rice’s Vampire Chronicles have been around for over four decades now, and with the recent release of Blood Communion, the series is up to thirteen books (fifteen if you count the New Tales of the Vampires). That’s a lot to keep track of, even for the most dedicated of fans. But never fear, the ultimate Anne Rice reference book is finally here! Anne Rice’s Vampire Chronicles: An Alphabettery, compiled by her personal assistant Becket and with an introduction by Rice herself, comes out tomorrow, October 23. Here’s what you need to know about the hefty reference guide: Continue reading Review of Anne Rice’s Vampire Chronicles: An Alphabettery
Valentine Wolfe: The Haunting of Mary Shelley Album Review
I usually stick to reviewing literature on this blog rather than music, but I’ll make an exception for especially literary music. This categorization can be used to describe much of the music by gothic metal band Valentine Wolfe, whom I had the honor of interviewing about their relationship with literature last year. Their newest album takes that love of books even further. The Haunting of Mary Shelley, which released earlier this month, is a concept album revolving around the author Mary Shelley and her celebrated novel, Frankenstein. The band describes their genre as “Victorian chamber metal,” which is exactly the sort of sound that pairs perfectly with anguished monsters, regretful scientists, and desperate chases across arctic landscapes.
Continue reading Valentine Wolfe: The Haunting of Mary Shelley Album Review
The Secrets of Chateau Swansea Review
Ghosts, psychics, a mysterious murder, and a missing child … it’s the perfect recipe for a Gothic novel. I’m always on the lookout for new authors who write neo-Gothic tales—stories that continue the legacy of the 18th– and 19th-century genre, yet aimed at modern audiences. The Secrets of Chateau Swansea by R. C. Matthews is the latest book to scratch that itch. Set in the Victorian era, this self-published novel blends mystery and romance in a classic Gothic setting. The book came out just last week and is available as an ebook only. Continue reading The Secrets of Chateau Swansea Review
Modern Journeys to the Underworld
The journey to the underworld has been a popular plot motif for millennia. It can take many forms, but generally involves the hero of the story crossing over into the land of the dead to rescue someone, speak to someone, or otherwise complete a quest. This trope appears in many classic myths, such as the Greek tales of Orpheus and Eurydice or Hercules’s twelve labors. It also became a staple of epic poetry, beginning with the Odyssey, continuing in the Aeneid, and becoming the basis of Dante’s Inferno. Scholars of epic poetry even have a word for this recurrent plot element: katabasis, which means “to go down” in Greek. With such a storied history, it’s not surprising that we see variations on journey to the underworld cropping up in modern fantasy novels. Below are a three of my favorite recent variations on this classic trope: Continue reading Modern Journeys to the Underworld
Review of Into the Drowning Deep–Mermaid Horror
Killer mermaids. That’s all you really need to know. If you didn’t think mermaids could be scary, Mira Grant is here to prove you wrong with Into the Drowning Deep. A few months ago, I’d shared with you all a whole list of Tales of Monstrous Mermaids. This week I want to take the plunge and explore the scariest of those books in depth. Seanan McGuire (who uses the pseudonym Mira Grant for some of her novels) has been one of my favorite authors since I read her spectacular Wayward Children fantasy series and came across a few of her short stories in Ellen Datlow’s horror anthologies. But Into the Drowning Deep was the first time I read one of her full-length works or horror, and nothing could have prepared me. Continue reading Review of Into the Drowning Deep–Mermaid Horror
Dead Girls Don’t Love Review
There’s nothing I love more than a haunting little horror anthology—especially when it introduces me to an author with whom I was previously unfamiliar! Dead Girls Don’t Love by Sarah Hans surprised and delighted me from the first story onward. The collection brings together a dozen different tales that show an impressive range of style, genre, and source material. If you’re already looking for some reading material to get you into the Halloween spirit, Dead Girls Don’t Love would be a great place to start! Continue reading Dead Girls Don’t Love Review
Review of The Merry Spinster: Sinister and Surreal Fairy Tales
Sometimes the oldest and most familiar tales just need a new twist. Daniel Mallory Ortberg does that to the extreme, turning the familiar quite strange in The Merry Spinster: Tales of Everyday Horror. In this collection of creepy short fiction, each story is based on a classic fairy tale, sometimes blended together with other fairy tales, pieces of Biblical text, or other familiar literary sources. But don’t get too comfortable. These aren’t your average fairy tale retellings. Continue reading Review of The Merry Spinster: Sinister and Surreal Fairy Tales
The Golem and the Jinni Review: An Unusual Pairing
I love stories of unexpected friendships, and what could be more unexpected than a golem and a jinni? These two mythological creatures come from different traditions, different regions, and altogether different worlds. Yet in Helene Wecker’s debut historical fantasy novel, they meet by chance on the streets of New York City. My whole family has been reading this book, and I’m so glad I finally hopped on that bandwagon!
The Golem and the Jinni begins in Poland at the turn of the 20th century, when a disgraced rabbi makes a woman out of clay—a golem—to serve as his client’s perfect and obedient wife. But after an unexpected turn of events, the golem arrives at Ellis Island alone and masterless. She is taken in by a kindly rabbi who names her Chava and introduces her to the local Jewish community. Meanwhile, a tinsmith in Little Syria sets to work on an old copper flask when suddenly out of it comes a jinni who has been trapped for a thousand years. Adopting the name Ahmad, the jinni reluctantly takes on the role of tinsmith’s apprentice while trying to figure out how to break the bonds that keep in stuck in human form. When Chava and Ahmad meet, they feel a kinship—both are outsiders trying to fit into, yet not truly part of, the human world. Yet their natures are so different, this altruistic being of earth and flighty being of fire, that their friendship brings as much conflict as comfort. All fights are forgotten, however, when they realize that someone who poses a danger to them both has found his way to New York City. Continue reading The Golem and the Jinni Review: An Unusual Pairing
Review of The Ghost Bride
Getting married to a complete stranger can be terrifying … especially if that stranger is already dead! Yangsze Choo tackles the obscure cultural practice of “ghost marriages” in her debut novel, The Ghost Bride. Set in 1890s Malaysia (or Malaya, as it was called at the time), the book is historical fiction with a paranormal twist, drawing on Chinese mythology and notions of the afterlife, as well as the author’s own imagination. The Ghost Bride brings together everything I love—the Victorian era, ghosts, romance, and learning about other cultures—all in one story, and I’m so excited to have come across this new author. Continue reading Review of The Ghost Bride
Back to School Reading List: Drama Edition
Around this time every year, I put together a mini syllabus of Gothic works commonly read in schools. If you missed them in the past, be sure to go back and check out my original Back to School Reading List and my Back to School Reading List: Short Story Edition. This time, I wanted to tackle some theater! Check out the five plays below that bring the Gothic to the stage:
1) Macbeth by William Shakespeare
Though Shakespeare was writing a good few centuries before the Gothic literary movement of the late 1700s, several of his works can be considered proto-Gothics—particularly Macbeth. I’ve discussed this in more detail during my post on The Gothic in Shakespeare, but Macbeth displays many motifs that would later become core tropes of the Gothic novel. For example, one of its main settings is a medieval castle; it features ghosts that have returned to address past wrongs; there are witches with ominous prophecies; and Lady Macbeth prefigures later female villains, both of the femme fatale variety and the Madwoman in the Attic. Many later Gothic writers were strongly influenced by Macbeth, including the author of the very first Gothic novel, Horace Walpole. Continue reading Back to School Reading List: Drama Edition