Spring is finally here in the northeastern U.S.! Magnificent magnolia trees and sunny daffodils have been bringing a smile to my face as I go on my lunchtime walks. But beautiful things can have a dark side, and if the film Midsommar has taught us anything, it’s that you can still experience intense terror while surrounded by colorful flowers. Flowers pop up in all sorts of unexpected places in Gothic literature. Here are just a few examples below:
Today I want to take a deeper dive into one of the books I read for the Trans Rights Readathon the other week: Tell Me I’m Worthless by Alison Rumfitt. This debut haunted house story came out in the U.S. earlier this year and showcases how examples of real-world horrors can be transformed and explored with nuance in fiction. Continue reading Review of Tell Me I’m Worthless
Today is the last day of the #TransRightsReadathon! If you’re on BookTok, Bookstagram, or BookTwitter, then you’ve probably seen people posting all week using this hashtag. The Trans Rights Readathon is a decentralized fundraising effort started by author Sim Kern in response to recent anti-trans legislation being passed or proposed around the country. Using this hashtag, bookish content creators on all social media platforms have pledged to read as many books by trans authors or featuring trans representation as they can between March 20 and March 27, while raising money for organizations that support trans people and trans rights.
Even the most celebrated of classic ghost story writers could use a bit of a boost to their visibility these days. British author Algernon Blackwood was essentially a celebrity in the early twentieth century. Revered for his contributions to the ghost story and weird fiction genres, he became a household name toward the end of his life when he shared his stories through popular radio and early television broadcasts. Today, he is best known for two stories in particular, “The Willows” and “The Wendigo.” But these two tales are only the tip of the iceberg when it comes to his prolific career of both fiction and nonfiction writing that spans almost half a century. Publisher Handheld Press and editor Henry Bartholomew seek to introduce a wider audience to the breadth of Blackwood’s talents with a new collection, The Unknown: Weird Writings, 1900–1937, which came out last week. Continue reading Review of The Unknown—Algernon Blackwood Stories and Essays
Would you go to Hell and back to rescue a friend? Alex Stern is prepared to do just that in Leigh Bardugo’s Hell Bent, which came out earlier this year. If you loved the dark academia vibes and intricate paranormal world of Ninth House, then you do not want to miss this high-stakes sequel! Continue reading Review of Hell Bent—A Descent to the Underworld
At times during the COVID-19 pandemic, it felt like the world was ending. But what would a virus that could end civilization as we know it really look like? Lucy A. Snyder explores pandemic horror on a cosmic scale in Sister, Maiden, Monster, which came out from Tor Nightfire last month. Continue reading Review of Sister, Maiden, Monster—Pandemic Horror
“This house eats and is eaten.” The hunger of a haunted house is encapsulated in this stunning opening line of Trang Thanh Tran’s debut YA horror novel, She Is a Haunting, which comes out tomorrow, February 28. The novel is an innovative take on the haunted house genre, combining the coming-of-age story of a queer teen from an immigrant family with infestational horror that functions to critique colonialism, much like in Silvia Moreno-Garcia’s Mexican Gothic. If either of those themes sound up your alley, you do not want to miss this debut! Continue reading Review of She Is a Haunting
It’s Carnival season in the Catholic liturgical year—a time for wild celebration and indulging in excess before the restrictions and solemnity of Lent. The holiday is celebrated mainly in regions with large Catholic populations, including parts of Western Europe and the Americas, but historically it has been especially associated with Italy. Celebrations usually involve parades, colorful costumes, extravagant parties, and indulgent foods and beverages. Though ostensibly a time of joy and merriment, this boisterous atmosphere can also be disorienting, overwhelming, and even frightening, and the holiday’s associations with disguise and mischief create an excellent opportunity for dastardly plots and misdirection. This—combined with Gothic literature’s love/hate relationship with all things Catholic—makes the frenetic festivities of Carnival the perfect backdrop. Below are just a few examples of works of Gothic literature that take place during Carnival or Carnival-like celebrations:
It’s nearly Valentine’s Day and love is in the air. But before you tie the knot with your beloved, you might want to make absolutely sure they are still among the living. For centuries, ghostly brides and bridegrooms have been common figures in folklore across cultures and have since worked their way into ghost stories and Gothic literature. From folk ballads of the eighteenth century to YA novels of the twenty-first, here are a few of my favorite nuptial specters: Continue reading Ghostly Brides and Bridegrooms
It’s perhaps one of the earliest forms of horror fiction: the local legends of monsters, dark magic, or cursed places that are told in whispers, passed down from one generation to the next in every society. But, as with most things in the Gothic, everything old is new again. With the success of films like The Witch and Midsommar, folk horror is definitely having a moment, and here to ride that wave is The Gathering Dark: An Anthology of Folk Horror, edited by Tori Bovalino, which came out in September. Continue reading Review of The Gathering Dark: An Anthology of Folk Horror
