Being trapped onboard a ship with an unknown murderer is a frightening enough prospect on its own, without adding powerful magic to the mix. Luckily Maud Blyth is just as undaunted in the face of overwhelming odds as her brother Robin. I just reviewed A Marvellous Light, Book 1 in Freya Marske’s The Last Binding trilogy, the other week and went straight from finishing that one to reading the sequel. A Restless Truth, the second book in this fantasy romance series came out at the beginning of November. Continue reading Review of A Restless Truth—Magical Murder at Sea
Mushroom Horror
Lately, I’ve been noticing a rising trend in fungal-themed horror novels, or what some corners of the internet are starting to dub “sporror.” (Get it? Like spores?) Mushrooms and their kin have many characteristics that lend themselves quite well to horror. For one thing, there’s still so much that we don’t know about these organisms—only in the last decade or so have we started to understand the vast mycelium networks that exist unseen beneath the soil, linking miles of forest and providing all sorts of important contributions to the ecosystem. On top of that, mushrooms, molds, and yeasts are strange, almost alien in the way that they defy categorization. They have elements of both plant and animal, and yet are neither. They are also associated with dark, damp, underground spaces and are noted for their role in decomposition. Through the recreational use of psychedelic mushrooms, these organisms have also been linked with the fantastical and surreal, with hallucinatory visions and altered states of mind. There are many poisonous mushrooms that can be fatal to humans, and some of them look deceptively similar to their less toxic brethren. Then there are the parasitic fungi, which can infect and feed off of plants, animals, insects, and humans in often gruesome ways. With so many potentially horrific directions to go in, I think we will only continue to see even more mushroom horror in the future. Below is just a sampling of works that feature frightening fungi:
A Marvellous Light Review—Edwardian Magicians
Getting cursed is just about the worst way to find out magic is real… An English baronet finds himself thrown headfirst into the world of magical conspiracies and sorcerer soirees in A Marvellous Light by Freya Marske, which came out last year. I’ve been a long-time fan of Marske’s podcast, Be the Serpent, but only just picked up her first book in preparation for reading the sequel, A Restless Truth, which came out earlier this month. Continue reading A Marvellous Light Review—Edwardian Magicians
Nona the Ninth Review
The world has ended before, but it could always end again…. The first two books of the Locked Tomb series (Gideon the Ninth and Harrow the Ninth) were two of my favorite books from the last few years, and now Tamsyn Muir is back with the third installment! Nona the Ninth, the penultimate book in this projected quartet, came out earlier this fall and continues to prove that Muir is one of the most creative minds in today’s science-fiction and fantasy scene. Continue reading Nona the Ninth Review
Spooky Stories to Consume Like Candy
Looking for some quick scares to get you in the mindset for Halloween? I’ve already written a post on ghost stories that you can read to get into the spirit of the season, but shades of the deceased aren’t the only things that will send shivers down your spine. Here are a few of my favorite stories featuring all sorts of other things that go bump in the night. These stories are all available online and perfect for giving yourself a quick horror fix before you go out to celebrate All Hallow’s Eve tonight:
Review of Strange Relics—Haunted Archeology
There is an allure to the ruins of past civilizations, but perhaps some things are better left buried…. Archeologists Amara Thornton and Katy Soar explore this notion in a new collection, Strange Relics: Stories of Archeology and the Supernatural, 1895-1954, which came out from Handheld Press last month. Y’all know I love a themed anthology, and I’ve been particularly enjoying the collections of late nineteenth- and early twentieth-century weird/horror/ghost stories from this publisher, which so far have also included Women’s Weird (volumes one and two), The Outcast and the Rite, and From the Abyss. If you’re a fan of ancient civilizations or the people who study them, this collection provides some fascinating insight into how the boom in archeology influenced our horror literature. Continue reading Review of Strange Relics—Haunted Archeology
Review of The Lost Son—Gothic Audio Drama
A man’s frantic breathing is suddenly interrupted by a low, ominous growl… Before the words of the story even begin, these sounds paint a picture at the beginning of The Lost Son. Sound has a peculiar ability to immerse you in dread and terror in a way that I find harder to accomplish through the other senses. Perhaps that is why we’re seeing such a boom right now of horror stories being produced through audio fiction. These days, I devour audio fiction at a rate about five times faster than any other format. I started reading audiobooks around the same time I launched this blog and then reluctantly branched out into fiction podcasts. But I’ve been delighted over the past couple of years to see a rise in a new kind of audio fiction: the audio drama mini series. Often hosted on podcast platforms, these stories blend the best of both audiobooks and podcasts, with a bit of a throwback to old radio dramas, as well. They are self-contained stories, limited to a small number of episodes, and they revel in the audio format through the use of sound effects, background music, and talented voice actors. I’ve been venturing into this format through the shows produced by Realm, such as Beatrix Greene. And now there’s a new show coming out by a small group of independent creators that seems especially created for my tastes: The Lost Son. Continue reading Review of The Lost Son—Gothic Audio Drama
Review of What Moves the Dead—More Mushroom Horror
“The dead don’t walk.” Alex Easton repeats this line as a mantra even as all evidence seems to point to the contrary in What Moves the Dead. This latest novel by horror and fantasy writer T. Kingfisher is a retelling of Edgar Allan Poe’s classic story “The Fall of the House of Usher” and came out back in July. This is the first of Kingfisher’s works I have read, despite having had her books and short stories recommended to me for years. She finally lured me in with a Poe retelling, and I’ll definitely be checking out more from this author! Continue reading Review of What Moves the Dead—More Mushroom Horror
Review of Ghosts of the Forbidden—Gothic Romance Is Back!
Dangerous mine shafts, an abandoned ski resort, families feuding for generations, and ghosts galore—the town of Glazier’s Gap has enough fodder for a whole string of Gothic novels. And that’s the idea. Ghosts of the Forbidden by Leanna Renee Hieber is the first book in the new Glazier’s Gap series published by Castle Bridge Media, which will include loosely connected novels that all feature a supernatural romance set in this unusual town. As the queen of haunting heartwarmers, Leanna Renee Hieber is the perfect author to start this series off, though this is her first foray into contemporary romance. But not to fear—while the story may take place in the twenty-first century, the lovers in Ghosts of the Forbidden are as stuck in the nineteenth-century as Leanna’s devoted readers are. Ghosts of the Forbidden comes out October 11. Continue reading Review of Ghosts of the Forbidden—Gothic Romance Is Back!
Teachers and Governesses in Gothic Literature
Students aren’t the only ones who have to go back to school in the fall. This back-to-school season, I want to celebrate that most underappreciated of professions: teachers. In Gothic literature, we most often see a type of teacher who was present in many upper-class Victorian homes: the governess.
A governess is a live-in private tutor who was given charge of the education of girls of any age, as well as younger boys, in wealthy European households during the nineteenth century. I’ve already briefly touched on how the boundary-defying qualities of the governess make her particularly suited to Gothic stories in my post on liminality. To expand on that idea, a governess was generally a young woman from an upper-class family that had fallen on hard times. She needed to be genteel, in order to properly teach her charges the skills and manners expected of proper young ladies. But her poverty and the fact that she had to work for a living in the employment of others contradicted the norms of her social class and the idealized form of femininity she was meant to impart to her female students. Neither equal to the household servants nor to the members of the family, the governess occupied a unique role in the home that moved between and existed outside of social class structures. In addition to this social ambiguity, the governess was often a vulnerable figure. She was a young woman alone, an outsider entering into an unfamiliar home and relying on powerful strangers for her food, shelter, and living. Governesses in Gothic novels also tend to be orphans or estranged from their family, with nowhere else to go if their position begins to feel unsafe or uncomfortable. Though a governess may be older and have more life experience than the prototypical Gothic protagonist of the naïf, she is similarly vulnerable and her liminal status makes her all the more prone to ending up in unusual circumstances. Below are just a few examples of works featuring teachers and governesses in Gothic literature: Continue reading Teachers and Governesses in Gothic Literature