I’ve loved Daphne du Maurier ever since I read and reviewed her most famous novel, Rebecca, during the first year of this blog. Since then, I’ve read a few of her other works, including Jamaica Inn and the short story “The Birds.” But none of her other works have had as powerful an impact as I felt while reading Rebecca. Nothing, that is, until I saw the 2017 film adaptation of My Cousin Rachel starring Rachel Weisz and Sam Claflin. Ever since seeing it in theaters, I’ve been meaning to go back and read du Maurier’s novel of the same name. I finally had the opportunity, thanks to starting a new book club focused on books that have been famously adapted. And now having read it, I can say that My Cousin Rachel is joining Rebecca as one of my favorite Gothic novels of the twentieth century. Continue reading My Cousin Rachel Review—More Daphne du Maurier
Tag: Daphne du Maurier
Bluebeard—A Proto-Gothic Folktale
The Gothic literary movement may not have begun until the mid-eighteenth century with Horace Walpole’s The Castle of Otranto, but it draws on much older wells of literary tradition. I have already explored the proto-Gothic elements of several of Shakespeare’s plays, which inspired many of the themes and tropes of later Gothic works. Another strong source of inspiration for the Gothic was folklore and fairytales. In many cultures, such tales can be considered one of the earliest forms of horror literature, as they often depict monsters, dark magic, and gruesome consequences for poorly considered actions. But few are quite so dark as the famous French folktale “Bluebeard.”
As is generally the case with tales that were passed down orally, there is no way to know quite how old the Bluebeard story is, but it was first written down and published by French folklorist Charles Perrault in 1697. Its oral nature also means that there are many different versions and variations on the story, but the general outline goes like this: Once upon a time, a very wealthy widower was looking for a new wife, but the local women considered him ugly or frightening because of his strange blue beard. He approached a family with two daughters, and one eventually agreed to marry him after seeing his vast wealth. Shortly after the wedding, Bluebeard tells his new bride that he has to go away from the house for a while. He leaves her a ring of keys and invites her to use them to explore the whole house—with the exception of a locked closet at the end of a long gallery that the smallest key opens. Despite his dire warnings, the young wife eventually gives into temptation and opens the locked closet. Inside, she sees the bloodied bodies of multiple previous wives who, like her, disobeyed Bluebeard’s orders. When Bluebeard returns earlier than expected, the bloodstained key reveals the wife’s disobedience. Just as she is preparing to meet the same fate as her predecessors, the young woman is rescued by her brothers. You can read an 1828 version of the story here on WikiSource. Continue reading Bluebeard—A Proto-Gothic Folktale
Gothic Tropes: The First Wife
No one likes being the second choice. This holds especially true for newly married Gothic heroines. You may think you’re marrying the man of your dreams, but if he’s been married once before that’s almost always a sign of trouble. Whether the first wife is dead or simply hidden away, she often manages to cast a shadow over her husband’s new lover and interfere with their relationship. The haunting figure of the first wife is one of my favorite Gothic character tropes! Continue reading Gothic Tropes: The First Wife
It’s in the Blood: Family Legacies in Gothic Authorship
Lots of things can be passed down through the family. Maybe you’ve inherited your grandmother’s eyes, your aunt’s madness, or the fatal curse that has plagued your family’s male line for generations. But what about inheriting an affinity for writing Gothic literature? As I research deeper and deeper into the genre, I’ve noticed a few family names that recur throughout different eras. Many of the authors that we love best today built on the legacy of their ancestors, or else passed their love of the genre down to their progeny. Here are a few examples of Gothic authors who kept their literary legacy in the family: Continue reading It’s in the Blood: Family Legacies in Gothic Authorship
Gothic Tropes: Burning Houses
In Gothic literature, the setting of the story functions almost like a character itself. These castles, estates, and manor houses are given names, along with their own history, personality, and secrets. And as with living characters, sometimes the novel needs to end with their death. In one common trope, house fires are employed as a means of destroying the central setting at the end of the novel, often with symbolic significance. Continue reading Gothic Tropes: Burning Houses
Rebecca Review–A Haunting Tale
A couple months ago, I posted about some of the foundational female writers of gothic literature. There was one woman on that list whose works I had not read before, and so I decided to seek her out. Thus, I found myself downloading the audiobook of Rebecca by Daphne du Maurier. Rebecca is essentially a Gothic novel in the traditional sense, though it was written much later than its 18th– and 19th-century fellows. Ambiguously set in the 1920s or ‘30s, Rebecca contains no elements of the supernatural, no true evil villain, and no attacks on the heroine’s life. Instead, what makes Rebecca a Gothic novel is its focus on the core Gothic trope: the present haunted by the past—although in Rebecca’s case, this haunting is purely psychological. Continue reading Rebecca Review–A Haunting Tale
Five Foundational Female Writers of Gothic Lit
Women have been pivotal influencers of the gothic genre from the very beginning. At a time when women’s opinions were largely dismissed and many doors were barred to them in other literary pursuits, writing Gothic novels was one of the few ways in which women could become prolific and popular writers. One reason for this was that the original Gothic genre was closely associated with women, as women made up the majority of its readers. Gothic novels were often regarded much like “chick lit” is today—as sentimental fluff good for entertaining women’s simple minds but completely lacking in literary value. Despite being devalued by critics (and by the members of the general public not yet under the genre’s sway), the works of these female authors have had a profound influence on our perception of the gothic today. Let’s take a moment to celebrate some of these awesome queens of terror! Continue reading Five Foundational Female Writers of Gothic Lit