Tag: edgar allan poe

Nautical Gothic

What could be more frightening than the crumbling spires of an ancient castle or the echoing halls of a cursed family’s ancestral home? How about the alien landscape of the open sea! With its unknowable depths and mercurial moods, the ocean is rife with mystery and danger. And out in the middle of the ocean, one can experience an isolation far more profound than even the most remote cliffside abbey. In many ways, the ocean is the perfect Gothic landscape. On any given voyage, a sailor might have to battle against the weather and natural environment, against monsters, against the restless dead, against the depravity and superstitious nature of his fellow man, or even against the phantasms of his own mind. Here are just a few examples of Gothic works that take place, in whole or in part, at sea:

Oil painting showing one ship being tossed about on rough waves while beside it is the faint, ghostly image of another, larger ship
Painting of the Flying Dutchman by Charles Temple Dix

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Review of A Mystery of Mysteries: The Death and Life of Edgar Allan Poe

A Mystery of Mysteries coverDo we really need a new biography of Edgar Allan Poe, a man who has been continually talked about since his death nearly two centuries ago? It turns out—yes we do! There’s still plenty more to say about the father of modern horror. (And mystery. And true crime.) For one thing, we still don’t know exactly what caused Poe’s inexplicable death and the preceding three days of delirium in the city of Baltimore in 1849. For another, Poe’s image has loomed so large in pop culture that even what we can know about him has been largely obscured by stereotype, slander, and exaggeration. Mark Dawidziak sets out to shed some light on Poe’s shadowed life in his new biography, A Mystery of Mysteries: The Death and Life of Edgar Allan Poe, which came out back in February. Continue reading Review of A Mystery of Mysteries: The Death and Life of Edgar Allan Poe

Carnival Celebrations in Gothic Literature

It’s Carnival season in the Catholic liturgical year—a time for wild celebration and indulging in excess before the restrictions and solemnity of Lent. The holiday is celebrated mainly in regions with large Catholic populations, including parts of Western Europe and the Americas, but historically it has been especially associated with Italy. Celebrations usually involve parades, colorful costumes, extravagant parties, and indulgent foods and beverages. Though ostensibly a time of joy and merriment, this boisterous atmosphere can also be disorienting, overwhelming, and even frightening, and the holiday’s associations with disguise and mischief create an excellent opportunity for dastardly plots and misdirection. This—combined with Gothic literature’s love/hate relationship with all things Catholic—makes the frenetic festivities of Carnival the perfect backdrop. Below are just a few examples of works of Gothic literature that take place during Carnival or Carnival-like celebrations:

Carnival mask from Venice. Photo by Vlad Hilitanu on Unsplash

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Review of What Moves the Dead—More Mushroom Horror

“The dead don’t walk.” Alex Easton repeats this line as a mantra even as all evidence seems to point to the contrary in What Moves the Dead. This latest novel by horror and fantasy writer T. Kingfisher is a retelling of Edgar Allan Poe’s classic story “The Fall of the House of Usher” and came out back in July. This is the first of Kingfisher’s works I have read, despite having had her books and short stories recommended to me for years. She finally lured me in with a Poe retelling, and I’ll definitely be checking out more from this author! Continue reading Review of What Moves the Dead—More Mushroom Horror

Gothic Vocab: The Grotesque

Perhaps more so than the other vocabulary words we’ve discussed thus far (the sublime and the uncanny), “grotesque” is a term you’re just as likely to hear thrown about in casual conversation as in academic discourse on Gothic literature. We might use it to describe anything that’s bizarre, incongruous, unnatural, or gross. But where does it come from, and what does it mean in a literary context? Much like the word “Gothic” itself, grotesque has a convoluted and roundabout history that covers a wide range of meanings and takes us back to ancient times. Continue reading Gothic Vocab: The Grotesque

Plagues and Pandemics in Horror

The spread of COVID-19 is taking over our lives right now. And while I know for some of you, death and disease are the last things you want to read about right now, for many others literature is a place where we can process and confront our anxieties. This has been true throughout history. The Gothic, in particular, has always had a fascination with contagious illness. You can’t build an entire genre around nostalgia for the Middle Ages without grappling with the Black Death—a devastating plague that swept through Europe in the 1300s, killing millions. As Gothic literature developed, many authors—particularly in the Victorian era—had their own lives touched by such infectious diseases as tuberculosis, cholera, scarlet fever, and typhoid. The pandemics of the past and the present force us to confront our mortality and fears around infection and contagion. Some authors explore this through the invention of fictional plagues, while others use myth and monsters as metaphor for transmitting disease. Below are a few major works from Gothic and horror literature’s rich tradition of plagues and pandemics: Continue reading Plagues and Pandemics in Horror

His Hideous Heart Review—Poe Retellings with a YA Twist!

His Hideous Heart coverEdgar Allan Poe stories with a diverse, YA twist? Yes, please! So many of us first discover Poe during our teenage years that it seems perfectly fitting to reinterpret his stories in a young adult context. Editor Dahlia Adler does exactly this in her upcoming anthology His Hideous Heart, which gathers together thirteen celebrated YA authors to write modern tales inspired by some of Poe’s. I’ve been invited to participate in the official blog tour for His Hideous Heart, which comes out on September 10. See my thoughts on the book below, and be sure to check out the preorder link at the end of the post! Continue reading His Hideous Heart Review—Poe Retellings with a YA Twist!

Gothic Tropes: The First Wife

No one likes being the second choice. This holds especially true for newly married Gothic heroines. You may think you’re marrying the man of your dreams, but if he’s been married once before that’s almost always a sign of trouble. Whether the first wife is dead or simply hidden away, she often manages to cast a shadow over her husband’s new lover and interfere with their relationship. The haunting figure of the first wife is one of my favorite Gothic character tropes! Continue reading Gothic Tropes: The First Wife

Gothic Tropes: Burning Houses

In Gothic literature, the setting of the story functions almost like a character itself. These castles, estates, and manor houses are given names, along with their own history, personality, and secrets. And as with living characters, sometimes the novel needs to end with their death. In one common trope, house fires are employed as a means of destroying the central setting at the end of the novel, often with symbolic significance. Continue reading Gothic Tropes: Burning Houses

The Overlap of Sci-fi and Horror

Gothic literature—and thus the more modern horror genre that grew out of it—was initially created as a reaction against the Age of Reason. Over the course of the 18th century, an intellectual and philosophical movement swept across Europe that emphasized logic, rationality, and scientific advancement. Enlightened thinkers sought to banish outdated superstition and believed that all of life’s great questions could be answered through the use of experimentation, observation, and reason. You can see how this philosophy would give rise to science fiction—a genre of literature which predicts scientific advances not yet achieved and imagines how they might change or shape society. But first something else was born: a genre that would look back to a time before the Enlightenment and revel in unexplained mysteries, heightened emotions, and a disconcerting dearth of logic or reason. These two genres at first seem fundamentally incompatible, and yet they are not so separate as you might think. To understand why, we’ll need to take a look at the history of how they overlap.  Continue reading The Overlap of Sci-fi and Horror