Publishing works either anonymously or under a pseudonym has been a tradition in the Gothic literary genre since its very creation. Such deception might be done for a variety of reasons. Early works of Gothic literature often tried to pass themselves off as something older—long-buried ancient manuscripts newly discovered and translated by an enterprising soul—to both increase their mystique and shield the author’s reputation from critiques of this untested new style. As Gothic novels became increasingly popular with female authors, many of them adopted male pen names or left their name off entirely to avoid the stigma of their gender. Today, pseudonyms give authors the opportunity to depart from their usual genres, to step away from their existing fame, or simply to add to the fun. Continue reading Anonymity and Pseudonyms in Gothic Literature