Since the Gothic first arose as a handful of tales about virginal young women being chased through European castles by usurping noblemen, the genre has splintered off into many different forms, some of which bear very little resemblance to the earliest Gothic stories. One of the best-known off-shoots of this mode of writing is the Southern Gothic. I touched on this topic briefly in my post on the American Gothic Tradition, but now I want to cover it in more depth. Southern Gothic is a subgenre of Gothic literature that is defined both geographically and thematically. Generally set within the southern United States, works of Southern Gothic employ the macabre and the grotesque to expose the myth of the idyllic antebellum South. Common themes include the decay and corruption that exist behind beautiful facades (both physically and metaphorically), the decline of a dispossessed aristocracy, and the scars left by slavery and a long history of racial tensions. If you’ve ever taken an American literature class, it’s likely that you’ve already encountered some Southern Gothic. Below are a few authors best known for writing in this genre: Continue reading Intro to Southern Gothic
Tag: flannery o’connor
The American Gothic Tradition
Happy 4th of July! On this day in 1776, the founding fathers declared their intention to create a nation that would be independent from Great Britain. Though as they signed the Declaration, I doubt any of them were thinking about creating an independent literary tradition. Nonetheless, as our country began developing its own political and economic system, it also began developing its own culture—and that includes its own literature. American Gothic, apart from being an infamous painting of a dreary farmer couple, is a unique subgenre in the Gothic tradition that is markedly American. Today, I thought I would celebrate this patriotic holiday by sharing with you the history of the American Gothic tradition and some of its most prominent members.
