The Gothic initially developed as a European genre, drawing on that continent’s backdrop of medieval castles, crusading knights, and religious turmoil for its iconic imagery. But when this literary movement hopped the Atlantic, the American Gothic was created, which sought inspiration in the geography and local history of specific regions of the United States. The most recognizable strain of American Gothic literature is Southern Gothic, in which the corruption beneath the veneer of Southern respectability is exposed and examined. Apart the American South, another region known for producing seminal works of American Gothic literature is New England. With a history that includes some of the earliest pilgrims learning to survive in a new and unfamiliar wilderness, the infamous witch trials, and the birth of the Spiritualist movement, it’s no wonder that this region would produce tales of supernatural horror. Even the environment—full of foreboding mountains, unbroken forests, and harsh winters—lends itself particularly well to terror. Works of New England Gothic often address themes of religious fanaticism, the occult, and backwoods isolation, and many works deal specifically with the legacy of the Salem witch trials. Below are a few of the authors best known for writing New England Gothic: Continue reading Intro to New England Gothic
Tag: gothic literature
Intro to Southern Gothic
Since the Gothic first arose as a handful of tales about virginal young women being chased through European castles by usurping noblemen, the genre has splintered off into many different forms, some of which bear very little resemblance to the earliest Gothic stories. One of the best-known off-shoots of this mode of writing is the Southern Gothic. I touched on this topic briefly in my post on the American Gothic Tradition, but now I want to cover it in more depth. Southern Gothic is a subgenre of Gothic literature that is defined both geographically and thematically. Generally set within the southern United States, works of Southern Gothic employ the macabre and the grotesque to expose the myth of the idyllic antebellum South. Common themes include the decay and corruption that exist behind beautiful facades (both physically and metaphorically), the decline of a dispossessed aristocracy, and the scars left by slavery and a long history of racial tensions. If you’ve ever taken an American literature class, it’s likely that you’ve already encountered some Southern Gothic. Below are a few authors best known for writing in this genre: Continue reading Intro to Southern Gothic
Snakes in Gothic Literature
As reminders of our baser animal nature and the wild power of the natural world, animals frequently play an important role in Gothic literature. I have previously written posts on the roles of cats and dogs. Now I want to focus on one animal that had been particularly feared throughout history: snakes. Associated with deception, temptation, and sin, snakes make powerful symbols of abstract evil, in addition to the connotations they already hold as genuine objects of fear in the real world. Below are a few classic works that derive their horror from deadly snakes or serpents:
Iconic Ghosts from Gothic Literature
As Halloween approaches, the veil between this word and the next grows thinner and, according to legend, the spirits of the dead can more easily come into contact with the living. These days, we tend to focus less on communing with our dead ancestors and more on dressing in costume, watching horror films, and telling ghost stories. But either way, we’ve still got ghosts on the brain. And what better way to celebrate ghosts than by seeking out some shining examples from Gothic literature? For the purposes of this post, I’ve limited myself to only ghosts that are fairly unambiguous supernatural apparitions of dead humans, though the Gothic genre contains a multitude of spirits that range from literal to metaphoric or imagined to everything in between. Below are five of the most memorable ghosts that appear in Gothic literature: Continue reading Iconic Ghosts from Gothic Literature
It’s in the Blood: Family Legacies in Gothic Authorship
Lots of things can be passed down through the family. Maybe you’ve inherited your grandmother’s eyes, your aunt’s madness, or the fatal curse that has plagued your family’s male line for generations. But what about inheriting an affinity for writing Gothic literature? As I research deeper and deeper into the genre, I’ve noticed a few family names that recur throughout different eras. Many of the authors that we love best today built on the legacy of their ancestors, or else passed their love of the genre down to their progeny. Here are a few examples of Gothic authors who kept their literary legacy in the family: Continue reading It’s in the Blood: Family Legacies in Gothic Authorship
Gothic Residences
It’s just so much easier to write a Gothic novel, when you’re writing it from inside a castle, right? Well, several of the earliest writers of Gothic fiction thought so. I’ve touched before on the inextricable ties that link the Gothic genre of literature to the style of architecture with which it shares a name. The term “Gothic” first began to be applied to a specific medieval style of architecture after it had fallen out of favor in the 1500s. As the Renaissance spread through Europe, many new designers found the ribbed vaults, flying buttresses, and towering spires of the earlier style to be excessive and barbaric, thus naming them after the Gothic “barbarians” who had destroyed Rome. But after another couple of centuries, public opinion came around again and prominent members of European society began to show renewed interest in the medieval era, and especially medieval architecture. One of the most influential of those figures was Horace Walpole. Continue reading Gothic Residences
French and German Gothic
I’ve spoken many times on this blog about how the Gothic genre originated in England with the publication of Horace Walpole’s The Castle of Otranto, and I’ve gone on to enumerate many other early English writers of the Gothic, as well as several American authors that followed later on. But the Gothic was not limited to the English-speaking world. In fact, many of the early and influential pieces of Gothic literature originated in Continental Europe—specifically in Germany and France. Below, I’ve listed a few seminal works to take a broad look at the Gothic tradition in these two countries: Continue reading French and German Gothic
Anonymity and Pseudonyms in Gothic Literature
Publishing works either anonymously or under a pseudonym has been a tradition in the Gothic literary genre since its very creation. Such deception might be done for a variety of reasons. Early works of Gothic literature often tried to pass themselves off as something older—long-buried ancient manuscripts newly discovered and translated by an enterprising soul—to both increase their mystique and shield the author’s reputation from critiques of this untested new style. As Gothic novels became increasingly popular with female authors, many of them adopted male pen names or left their name off entirely to avoid the stigma of their gender. Today, pseudonyms give authors the opportunity to depart from their usual genres, to step away from their existing fame, or simply to add to the fun. Continue reading Anonymity and Pseudonyms in Gothic Literature
Female Friendships in Gothic Literature
With Valentine’s Day coming up, it feels like we’re getting constantly hit in the face with commercialized images of heteronormative romantic love. It’s enough to make anyone feel a little disenchanted, but I’ve always loved the holiday. For me, Valentine’s Day is about more than just purchasing materialistic expressions of affection for your significant other. It’s about celebrating love in all its forms. And, personally, some of the most important relationships in my life are my friendships with other women. Growing up, my female friends and I always took this time of year as an opportunity to send each other flowers, give out chocolate, and be extra vocal with our love and support. That’s why this Valentine’s Day, I want to take a moment to celebrate some of my favorite female friendships in Gothic literature. Continue reading Female Friendships in Gothic Literature
Down Among the Sticks and Bones–A Gothic Tale of Twins
If you discovered a door to another world, would you go through it? What if it gave you the opportunity to change who you are, to escape the pressures of who you’re expected to be? Twelve-year-old twins Jack and Jill face these questions in Seanan McGuire’s Down Among the Sticks and Bones. This book, which came out back in June, is the second book in McGuire’s Wayward Children series. (You can read my review of the first book here.) Rather than being a sequel to Every Heart a Doorway, however, Down Among the Sticks and Bones is more of a prequel that can also be read entirely as a stand-alone. Ostensibly a fantasy story about discovering a dark world full of monsters, the book is really a deep dive into questions of identity and family relationships. Continue reading Down Among the Sticks and Bones–A Gothic Tale of Twins