Review of Starve Acre—Slow-burn Folk Horror

Starve Acre cover“There’s not an inch of soil that’s still alive.” Nothing grows on the land where the town hanging tree once stood in Andrew Michael Hurley’s folk horror novel Starve Acre. Originally published in the UK in 2019, Starve Acre is being newly released in the U.S. tomorrow, July 4.  Continue reading Review of Starve Acre—Slow-burn Folk Horror

Grief: The Raven and The Babadook

What does Poe’s most famous poem have to do with an Australian horror film from a few years back? More than you might think. “The Raven” and The Babadook utilize similar plot lines to explore the inescapable nature of grief after the loss of a loved one. (Warning: This post contains spoilers for the movie The Babadook.)

Illustration of The Raven
Illustration by Gustave Doré

Most of you are likely familiar with “The Raven,” Poe’s 1845 poem that first skyrocketed him into literary fame. The poem is told from the perspective of an unnamed speaker who mourns for his lost love, Lenore. One night, a raven comes in through his window and answers all of the speaker’s questions with one word: “Nevermore.” At the end of the poem, the speaker acknowledges that the raven is still sitting above his door, and his soul will be under its shadow forever. If you’d like to refresh yourself on the details, you can read the full text of “The Raven” here.

The Babadook poster
Film poster for The Babadook

Somewhat more niche is The Babadook, a debut horror film written and directed by Jennifer Kent, which made waves among horror fans when it was first released in 2014. The story features a single mother named Amelia, whose husband died the same night she gave birth to her son Sam. Years later, Amelia and Sam discover a mysterious pop-up book that features a terrifying creature called the Babadook. Though Amelia initially dismisses the Babadook as fictional, it soon begins to take over her mind, showing her visions of violence and causing her to act erratically. Amelia finally confronts the Babadook, and the end of the movie shows the monster now somewhat docile, living in her basement. Amelia visits occasionally to feed it. Continue reading Grief: The Raven and The Babadook