An orphaned governess takes up a new position in a remote manor and begins to develop inadvisable feelings for her employer. You’ve heard this story before—or have you? L. V. Russell puts a new twist on this classic Gothic premise in The Quiet Stillness of Empty Houses, which came out earlier this month from small indie press Quill & Crow Publishing House. Continue reading The Quiet Stillness of Empty Houses Review
Tag: jane eyre
Bluebeard—A Proto-Gothic Folktale
The Gothic literary movement may not have begun until the mid-eighteenth century with Horace Walpole’s The Castle of Otranto, but it draws on much older wells of literary tradition. I have already explored the proto-Gothic elements of several of Shakespeare’s plays, which inspired many of the themes and tropes of later Gothic works. Another strong source of inspiration for the Gothic was folklore and fairytales. In many cultures, such tales can be considered one of the earliest forms of horror literature, as they often depict monsters, dark magic, and gruesome consequences for poorly considered actions. But few are quite so dark as the famous French folktale “Bluebeard.”
As is generally the case with tales that were passed down orally, there is no way to know quite how old the Bluebeard story is, but it was first written down and published by French folklorist Charles Perrault in 1697. Its oral nature also means that there are many different versions and variations on the story, but the general outline goes like this: Once upon a time, a very wealthy widower was looking for a new wife, but the local women considered him ugly or frightening because of his strange blue beard. He approached a family with two daughters, and one eventually agreed to marry him after seeing his vast wealth. Shortly after the wedding, Bluebeard tells his new bride that he has to go away from the house for a while. He leaves her a ring of keys and invites her to use them to explore the whole house—with the exception of a locked closet at the end of a long gallery that the smallest key opens. Despite his dire warnings, the young wife eventually gives into temptation and opens the locked closet. Inside, she sees the bloodied bodies of multiple previous wives who, like her, disobeyed Bluebeard’s orders. When Bluebeard returns earlier than expected, the bloodstained key reveals the wife’s disobedience. Just as she is preparing to meet the same fate as her predecessors, the young woman is rescued by her brothers. You can read an 1828 version of the story here on WikiSource. Continue reading Bluebeard—A Proto-Gothic Folktale
Teachers and Governesses in Gothic Literature
Students aren’t the only ones who have to go back to school in the fall. This back-to-school season, I want to celebrate that most underappreciated of professions: teachers. In Gothic literature, we most often see a type of teacher who was present in many upper-class Victorian homes: the governess.
A governess is a live-in private tutor who was given charge of the education of girls of any age, as well as younger boys, in wealthy European households during the nineteenth century. I’ve already briefly touched on how the boundary-defying qualities of the governess make her particularly suited to Gothic stories in my post on liminality. To expand on that idea, a governess was generally a young woman from an upper-class family that had fallen on hard times. She needed to be genteel, in order to properly teach her charges the skills and manners expected of proper young ladies. But her poverty and the fact that she had to work for a living in the employment of others contradicted the norms of her social class and the idealized form of femininity she was meant to impart to her female students. Neither equal to the household servants nor to the members of the family, the governess occupied a unique role in the home that moved between and existed outside of social class structures. In addition to this social ambiguity, the governess was often a vulnerable figure. She was a young woman alone, an outsider entering into an unfamiliar home and relying on powerful strangers for her food, shelter, and living. Governesses in Gothic novels also tend to be orphans or estranged from their family, with nowhere else to go if their position begins to feel unsafe or uncomfortable. Though a governess may be older and have more life experience than the prototypical Gothic protagonist of the naïf, she is similarly vulnerable and her liminal status makes her all the more prone to ending up in unusual circumstances. Below are just a few examples of works featuring teachers and governesses in Gothic literature: Continue reading Teachers and Governesses in Gothic Literature
Gothic Novels as Broadway Musicals
There’s just something about the aesthetics and melodrama of the Gothic that lends itself so well to the stage. So, it shouldn’t be surprising that more than a few classic Gothic novels have been adapted into modern pieces of musical theater—and often quite successfully! Below are some well-known and lesser known examples of Gothic adaptations that have been performed under the bright lights of Broadway: Continue reading Gothic Novels as Broadway Musicals
Within These Wicked Walls Review
What if Mr. Rochester had, not a wife, but a deadly curse. Within These Wicked Walls by Lauren Blackwood reimagines Charlotte Brontë’s classic novel within an Ethiopia-inspired fantasy setting. Last year I posted about the surprising number of Jane Eyre retellings that all came out in 2021. Obviously, I’ve got to go down the list and read them all! I’ve already posted reviews of The Wife in the Attic and John Eyre, so Within These Wicked Walls was up next. Continue reading Within These Wicked Walls Review
2021 Jane Eyre Retellings
Charlotte Brontë’s Jane Eyre is one of literature’s best-known Gothic novels and certainly one of the most commonly read—and for good reason! Jane Eyre was at the forefront of a wave of a new variation on the genre that really gave the Gothic Romance a sense of the romantic. The interplay between Jane’s fierce independence and her blossoming passion for the brooding and Byronic Mr. Rochester is a love story as relatable today as it was in 1846. And I do mean today: 2021 seems to be the year for revisiting Jane Eyre. Of course, there have been reimaginings of Brontë’s story in years past—most famously Jean Rhys’s feminist and postcolonialist vindication of the “madwoman in the attic” with Wide Sargasso Sea in 1966. But something in the air seems to have everybody returning to this Gothic classic all at once right now. Below are a few Jane Eyre retellings that all came out within the last year: Continue reading 2021 Jane Eyre Retellings
Gothic Settings: The Moors
I’m back with another installment of my Gothic Settings series! In case you missed it, last month I decided to start exploring the particular environments and locales that repeatedly appear as the backdrops to Gothic stories by examining the most classic and iconic of settings: the castle. While the ancient and exotic aura of the castle captured the Gothic imagination from the genre’s start, this week I want to shift gears entirely to a setting closer to home for British writers: the moors.
Gothic Vocab: Liminal
Last year I started a series of posts highlighting vocab terms that will help you better understand the Gothic. So far, we’ve covered the sublime, the uncanny, and the grotesque. Today, I want to turn our attention to an adjective that is frequently employed to describe people, places, and situations in Gothic literature: “liminal.”
Review of John Eyre—Monsters in the Attic
How many times can one Gothic novel be retold? If that novel is Charlotte Brontë’s Jane Eyre—a story that spawned other great classics like Daphne du Maurier’s Rebecca and served as a blueprint for the entire genre of mid-century Gothic romance pulps—I think its generative capabilities are endless. One of the latest authors to put her own spin on Jane Eyre is Mimi Matthews, with John Eyre: A Tale of Darkness and Shadow, coming out tomorrow, July 20. From the title, you might guess that this is a gender-swapped retelling, but it’s actually much more than that: John Eyre uses the familiar beats of Brontë’s classic (along with elements from a few other Gothic novels) to tell an entirely different story. I am thrilled to have been invited to participate in the official blog tour for this book’s release, because I need more friends to geek out about this charming and clever reimagining with! Continue reading Review of John Eyre—Monsters in the Attic
Review of The Wife in the Attic—A Sapphic Jane Eyre
What if the governess fell in love with … the wife in the attic? This is essentially the premise of Rose Lerner’s new novel The Wife in the Attic, which was just released as an Audible Original last month. I’ve been devouring audiobooks like candy since the start of the pandemic, so what could be better than a queer reimagining of one of my favorite Gothic novels released exclusively in audio? And as someone who has always been way more sympathetic toward Bertha Mason than Mr. Rochester, The Wife in the Attic was everything I could ask for. Continue reading Review of The Wife in the Attic—A Sapphic Jane Eyre