Howard Phillips Lovecraft is the kind of writer who provokes mixed emotions. On the one hand, he has become the face of the cosmic horror subgenre and his influence on modern horror in general is undeniable. When you sit down to actually read his stories, however, you’ll find that they tend to be permeated by his rampant bigotry—extreme even for his own time—and many of his plots fall into repetitive, predictable patterns. Even his best stories (I particularly enjoyed The Shadow over Innsmouth and “The Thing on the Doorstep”) have at their core an intense xenophobia and complete disregard for women. But whether you’re a hardcore Lovecraft fan or uninterested in ever reading anything from the man himself, you can enjoy the many new stories coming out from authors who play in Lovecraft’s sandbox while critiquing some of his views and adding new perspectives into his worlds. Here are just a few examples of books that put a fun, new twist on Lovecraft’s immortal mythos: Continue reading Fresh Takes on Lovecraft
Tag: Lovecraft
Folk Horror in Literature
Something ancient has been awakened in the woods…. This premise encapsulates the essence of many folk horror stories. I have briefly touched on folk horror before in my review of the YA folk horror anthology The Gathering Dark, but as this deeply rooted subgenre of horror experiences another wave of popularity, I figured it was time to dive into it more deeply and give you a few recommendations through which to explore the genre.
In my earlier post, I defined folk horror as “any horror tale that draws on regional folklore,” but this is a bit of a simplification. As with the Gothic, folk horror is difficult to nail down and define. Works in this category tend to deal not just with folklore but also with folk religion, customs, and rituals. In Western literature, this often involves elements of some pre-Christian pagan practice that has persisted in isolated communities despite the pressure to Christianize. Works of folk horror may draw on real life folklore, beliefs, and practices from a particular culture or region, or they may feature a fictional community with lore of the author’s own creation. Common themes and tropes in works of folk horror include a rural setting, a supernatural entity associated with the natural environment, and worship of or sacrifice to this entity. Continue reading Folk Horror in Literature
Mushroom Horror
Lately, I’ve been noticing a rising trend in fungal-themed horror novels, or what some corners of the internet are starting to dub “sporror.” (Get it? Like spores?) Mushrooms and their kin have many characteristics that lend themselves quite well to horror. For one thing, there’s still so much that we don’t know about these organisms—only in the last decade or so have we started to understand the vast mycelium networks that exist unseen beneath the soil, linking miles of forest and providing all sorts of important contributions to the ecosystem. On top of that, mushrooms, molds, and yeasts are strange, almost alien in the way that they defy categorization. They have elements of both plant and animal, and yet are neither. They are also associated with dark, damp, underground spaces and are noted for their role in decomposition. Through the recreational use of psychedelic mushrooms, these organisms have also been linked with the fantastical and surreal, with hallucinatory visions and altered states of mind. There are many poisonous mushrooms that can be fatal to humans, and some of them look deceptively similar to their less toxic brethren. Then there are the parasitic fungi, which can infect and feed off of plants, animals, insects, and humans in often gruesome ways. With so many potentially horrific directions to go in, I think we will only continue to see even more mushroom horror in the future. Below is just a sampling of works that feature frightening fungi:
The Women of Lovecraft
H. P. Lovecraft is not particularly known for his varied and nuanced depictions of female characters. In fact, he’s known for barely depicting women in his tales of cosmic horror at all. Discounting female eldritch gods and dead queens, I’ve come up with a total of three women across Lovecraft’s oeuvre that play significant roles in his stories. Let’s take a look at how they fit into the mythos: Continue reading The Women of Lovecraft
Review of Maplecroft–Lovecraft Meets Lizzie Borden
Take the story of Lizzie Borden and cross that with Lovecraft’s “The Shadow over Innsmouth”.… This is essentially the plot of Cherie Priest’s 2014 horror novel Maplecroft. This book has been on my to-read list for years now, and I finally got around to listening to the audiobook. If you love bold women swinging axes, casual queer representation, and eldritch beings emerging from the sea, you’ll want to pick this one up, too! Continue reading Review of Maplecroft–Lovecraft Meets Lizzie Borden
Weird Fiction and the Gothic
One reason why the Gothic can be difficult to pin down as a genre is that over the years, it has spawned and overlapped with many different genres. I have touched briefly on the role that the Gothic played in the development of modern horror and explored in some depth how we can credit it as the foundation of the detective novel. Today, I want to explore one of the Gothic’s more nebulous offspring: weird fiction.
Review of Widdershins—Gay Romance and Cosmic Horror
Don’t you just hate it when all you want is to study dead languages alone in your office, but you’ve just discovered a dangerous cult that is trying to resurrect the dead and take over the world, and it’s up to you and a handsome detective to stop them? Percival Endicott Whyborne is a particularly reluctant hero in Widdershins by Jordan L. Hawk, which came out back in 2012. This first book in Hawk’s lengthy Whyborne & Griffin series is a subversive take on Lovecraft’s cosmic horror mythos that centers a love story between two men. I adore it when writers take the world that H. P. Lovecraft created and use it to create stories that would leave the notoriously bigoted author turning in his grave. Continue reading Review of Widdershins—Gay Romance and Cosmic Horror
Intro to New England Gothic
The Gothic initially developed as a European genre, drawing on that continent’s backdrop of medieval castles, crusading knights, and religious turmoil for its iconic imagery. But when this literary movement hopped the Atlantic, the American Gothic was created, which sought inspiration in the geography and local history of specific regions of the United States. The most recognizable strain of American Gothic literature is Southern Gothic, in which the corruption beneath the veneer of Southern respectability is exposed and examined. Apart the American South, another region known for producing seminal works of American Gothic literature is New England. With a history that includes some of the earliest pilgrims learning to survive in a new and unfamiliar wilderness, the infamous witch trials, and the birth of the Spiritualist movement, it’s no wonder that this region would produce tales of supernatural horror. Even the environment—full of foreboding mountains, unbroken forests, and harsh winters—lends itself particularly well to terror. Works of New England Gothic often address themes of religious fanaticism, the occult, and backwoods isolation, and many works deal specifically with the legacy of the Salem witch trials. Below are a few of the authors best known for writing New England Gothic: Continue reading Intro to New England Gothic
The Overlap of Sci-fi and Horror
Gothic literature—and thus the more modern horror genre that grew out of it—was initially created as a reaction against the Age of Reason. Over the course of the 18th century, an intellectual and philosophical movement swept across Europe that emphasized logic, rationality, and scientific advancement. Enlightened thinkers sought to banish outdated superstition and believed that all of life’s great questions could be answered through the use of experimentation, observation, and reason. You can see how this philosophy would give rise to science fiction—a genre of literature which predicts scientific advances not yet achieved and imagines how they might change or shape society. But first something else was born: a genre that would look back to a time before the Enlightenment and revel in unexplained mysteries, heightened emotions, and a disconcerting dearth of logic or reason. These two genres at first seem fundamentally incompatible, and yet they are not so separate as you might think. To understand why, we’ll need to take a look at the history of how they overlap. Continue reading The Overlap of Sci-fi and Horror
Review of Winter Tide—Subverted Lovecraft
*A version of this review first appeared as an article in Auxiliary Magazine*
Winter Tide by Ruthanna Emrys is the perfect book for lovers and haters of Lovecraft alike. H. P. Lovecraft, often considered the father of modern horror fiction, is famous for inventing the Cthulhu Mythos, which was been continued by many others in decades’ worth of novels, movies, games, and pop culture. But he’s also notorious for his rampant racism and serious lack of female characters. In Winter Tide, Ruthanna Emrys takes the amazing world that Lovecraft created, but subverts his negative aspects by using her story to explore the complexities of race and gender in post-World War II America. Winter Tide was published last year, but its sequel, Deep Roots, will be coming out in July. Continue reading Review of Winter Tide—Subverted Lovecraft