The Haunting of Hill House by Shirley Jackson has been adapted many times. It has become, in popular culture, the quintessential haunted house story, although Shirley Jackson’s novel leaves the veracity of the haunting intentionally ambiguous. One thing many adaptations struggle with is how to maintain that ambiguity while still evoking horror. The recent Netflix series, directed by Mike Flanagan, accomplishes this balance by diverging from the source material significantly while preserving its central themes. This series arrived on Netflix in 2018, so I’m a little late to the bandwagon. But I finally finished watching it and wanted to share a few of my thoughts with you. Continue reading Review of Netflix’s The Haunting of Hill House
Tag: shirley jackson
Intro to New England Gothic
The Gothic initially developed as a European genre, drawing on that continent’s backdrop of medieval castles, crusading knights, and religious turmoil for its iconic imagery. But when this literary movement hopped the Atlantic, the American Gothic was created, which sought inspiration in the geography and local history of specific regions of the United States. The most recognizable strain of American Gothic literature is Southern Gothic, in which the corruption beneath the veneer of Southern respectability is exposed and examined. Apart the American South, another region known for producing seminal works of American Gothic literature is New England. With a history that includes some of the earliest pilgrims learning to survive in a new and unfamiliar wilderness, the infamous witch trials, and the birth of the Spiritualist movement, it’s no wonder that this region would produce tales of supernatural horror. Even the environment—full of foreboding mountains, unbroken forests, and harsh winters—lends itself particularly well to terror. Works of New England Gothic often address themes of religious fanaticism, the occult, and backwoods isolation, and many works deal specifically with the legacy of the Salem witch trials. Below are a few of the authors best known for writing New England Gothic: Continue reading Intro to New England Gothic
Gothic Tropes: Burning Houses
In Gothic literature, the setting of the story functions almost like a character itself. These castles, estates, and manor houses are given names, along with their own history, personality, and secrets. And as with living characters, sometimes the novel needs to end with their death. In one common trope, house fires are employed as a means of destroying the central setting at the end of the novel, often with symbolic significance. Continue reading Gothic Tropes: Burning Houses
We Have Always Lived in the Castle Review
As much as I love reviewing recent releases, it’s just as important to go back and spend some time on the classics. This month, I finally picked up a book that I’d been meaning to read for years: We Have Always Lived in the Castle by Shirley Jackson. Jackson is one of the most prominent authors of twentieth-century Gothic. Her novel The Haunting of Hill House is a staple of the haunted house and psychological horror genres, while her short story “The Lottery,” is one of the most terrifying things I remember reading for school. However, it is her final novel—We Have Always Lived in the Castle, published in 1962—that really explores the Gothic in depth. Continue reading We Have Always Lived in the Castle Review
The Haunting of Hill House Review
A couple weeks ago, I wrote about a few particularly popular haunted houses in literature in celebration of Halloween. As I was writing that post, I realized that the haunted house genre is a real gap in my reading repertoire. Luckily, the book club at my local bar (yes, the bar has a book club. It’s awesome) was reading Shirley Jackson’s The Haunting of Hill House for our October meeting. I quite enjoyed the book, and I wanted to share a few of my thoughts with you below. Continue reading The Haunting of Hill House Review