Tag: stage

Death Becomes Her—Musical Comedy Revitalized

What if you could live forever . . . but so could your worst enemy? This is the premise of the cult classic film Death Becomes Her, which has recently been adapted for Broadway! The 1992 black comedy film, starring Meryl Streep and Goldie Hawn, is celebrated for its high camp and ridiculous violence as the two ruthless rivals wreak havoc on each other’s immortal bodies as they fight over the same man. The new musical adapts the story for both the stage and the twenty-first century. I got the chance to see it in previews at the Lunt-Fontanne Theatre earlier this month and was absolutely delighted! The show officially opens this Thursday, November 21.

Death Becomes Her: Musical Comedy Revitalized official poster, showing Madeline and Helen with their iconic injuries Continue reading Death Becomes Her—Musical Comedy Revitalized

Classic Stage Company’s Dracula—A Feminist Adaptation

I love a good stage adaptation of Bram Stoker’s classic vampire novel, Dracula. After all, Stoker worked in theater for much of his life, and always intended for his charismatic Count to take the stage. Last weekend, I had the pleasure of seeing a particularly unique performance of Dracula adapted by Kate Hamill for the Classic Stage Company in New York City. Hamill makes significant revisions to the source material in order to transform Dracula into a feminist revenge fantasy by centering the female characters and confronting the sexism in Stoker’s original.

Photo of Van Helsing attacking Dracula
Jessica Frances Dukes as Van Helsing and Matthew Amendt as the titular vampire in Dracula (Photo: Joan Marcus)

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Dracula, Performed

Dracula was always meant to be adapted to the stage. At the time that he wrote his most famous novel, Bram Stoker was working as the business manager for the Lyceum Theatre in London, owned by his friend, the renowned actor Henry Irving. Irving’s performances were often dark and dramatic, and he was best known for playing charismatic villains. It’s even been suggested that he partially inspired the appearance and personality of the Count in Stoker’s novel. Thus, it should come as no surprise that when Stoker finished his masterpiece, he envisioned Irving playing the titular character in a stage adaptation. He even drafted a script and ran through a staged reading of Dracula, or The Undead at the Lyceum, afterwards eagerly asking Irving what he thought. Irving’s answer, however, shut down any hopes Stoker had for his stage production: he summed up his opinion in one word: “Dreadful.”

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