I talk a lot on this blog about the initial Gothic heyday at the turn of the nineteenth century, which sprung up after the publication of Horace Walpole’s The Castle of Otranto and brought us such authors as Ann Radcliffe, Matthew Lewis, and William Beckford. But these days when you mention the Gothic to someone not overly familiar with the genre, they may picture a more recent heyday: the boom of Gothic romance and suspense novels in the mid-twentieth century, many of them mass-produced by a handful of genre-focused publishers. These books are perhaps best remembered today for their evocatively illustrated covers that employed common visual tropes such as a fleeing woman in a diaphanous dress or nightgown, a looming manor castle in the background, and a single illuminated window peering out like an eye. The book most often credited with kicking off this boom is Mistress of Mellyn by Victoria Holt. Continue reading Classics: Mistress of Mellyn
The suspense genre recently lost one of its greatest literary figures: Mary Higgins Clark died on January 31, 2020, at the age of 92. She had been lauded for many decades as the “Queen of Suspense”—a well-earned titled considering that she published at least one best-selling suspense novel per year ever since her breakout debut in 1975. The suspense novel, or psychological thriller, is one of the many modern genres that evolved out of the Gothic. It is closely tied to another of these genres, 