I’ve discussed before on this blog how the Gothic literary genre takes its name from the Gothic style of architecture. Appropriately, the medieval structures that typify this architectural style are often used as the backdrop to Gothic stories. The obvious example, and the very first structure I discussed in this series on Gothic settings, is the castle. But another place we see Gothic architecture from the Middle Ages is in religious buildings, such as monasteries and abbeys.
“Forgive me, Father, for I have sinned”—But what if the one who is supposed to absolve you is even more guilty? This is an idea explored in quite some depth and from a variety of angles throughout Gothic literature. The Gothic has had a very complicated relationship with religion, and Christianity in particular, from its earliest days. Sincere religious belief is often a virtue of the best Gothic heroes and heroines. But some of the genre’s most debased villains are those who wear the cloth of the Church. Early Gothic novels were highly critical of the horrors committed in the name of religion during the Spanish Inquisition, and these works also reflect Protestant and Anglican fears around Catholicism. But even the most obvious anti-Catholic caricatures were often a bit more nuanced, as many authors relied on the acceptable depiction of evil Catholic clergy to more subtly critique the overreach of religious authorities within their own communities. And no sect is safe! You’ll find dangers in any denomination in later works of Gothic literature. Let’s take a look at how corrupted clergymen (and a few women!) have crept through these novels.
